Jessica

Jessica


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Jessica is a favorite. She is a 2014 120th Anniversary Gibson Les Paul Standard Plus model. Gibson has offered a variety of finishes over the years but this my favorite. Some are subtle, some aren’t. Some pronounce the tiger flame and some gloss over it. Some Les Pauls are solid colors, and the most expensive, like the gold-tops, which many guitarists painted black. The solid colors are ho-hum to me, even with their patina and cracks. And to downplay the beauty the wood can offer is boorish and a tragedy to me, who loves the earthiness and organic qualities that acoustic guitars have. I prefer acoustic guitars in fact and only got back into electric with the acquisition of Jessica.

les paul finishes

The brilliance and seriousness of this instrument are what set it apart, to begin with. I keep the pickguard on it because I find myself having a stronger attack with the pick that would blemish the finish, to use poetic words, which is appropriate when describing this masterpiece. Known for eternal sustain, and a thick, fulfilling sound thanks to the humbucking pickups, I can’t imagine the experience of playing an electric guitar being any greater than with Jessica. If that weren’t enough, she has auto tuners which I hadn’t ever even considered before but adds a magical concierge characteristic that eliminates the worry of ever being out of tune, which should be a primary concern for any player. No matter how good you are, you won’t sound good if you’re out of tune. And the electronics that go into play and are precisely perfect are a wonder to me. To tap a button and have the tuning keys wind themselves into tune with a small buzz like that of a Shakespeare fishing reel when a fish strikes are very cool and satisfying. It tunes each string, then flashes in cadence to say “All set- Go!” is awesome and a really nice little situation.

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Red Molly

Red Molly


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Said Red Molly to James: “That’s a fine motorbike.”

Richard Carpenter is an excellent songwriter, and like most songwriters, goes through life not getting the recognition for his work. But the royalty payments help ease that suffering of the ego. One of the main reasons the Grateful Dead have been so successful was their association with prolific genius-level lyricists from the very beginning. Jerry Garcia, Bob Weir and Phil Lesh weren’t slouches by any means, and their solo albums prove that, at least with Jerry and Bob “Ace” Weir. But for the main complex arrangements that were meant for public consumption John Barlow and Robert Hunter, as well as a few others in the circle, were there and ready all the time, and quietly helped produce some amazing work. Barlow had an exceptional life beyond his insane success as a songwriter.

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Stella Blue

Stella Blue


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One of my favorite guitars I have is a limited edition 2016 Fender American Standard offset Telecaster in Lake Placid Blue with a maple neck.

All of my instruments I have are favorites or else I wouldn’t have them. I don’t have the budget to own anything like that aren’t favorites. But I have reasons to acquire the instruments I do, and the reasons are pretty concrete and sound. This one fits them all, and it’s an amazing guitar to play and hear.

The first thing about it is that it’s American-made. I don’t necessarily have anything against foreign made-instruments – I own a few. But the market itself treasures American-made. Go figure. Secondly, It’s perfect for getting a certain sound for the persuasive ways I’ve gone about learning music, and the people whose style and technique and sound I like to emulate most on guitar. Those people are Jerry Garcia, Dickey Betts, Jack White, and of course Johnny Marr. And a few others like John Mayer, Dave Matthews, Jack Johnson, Bob Weir, and so on, depending if I’m trying to play rhythm or lead or whatnot. Each has a distinctive style and is a master of the instrument with discernable techniques that they employ either physically or with electronics or gear or with the actual instrument itself. But this guitar is a tool to pay tribute to Johnny Marr.

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Look Out 2019!

Look Out 2019!


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Here are some things I’m thinking about as we enter into a new futuristic year, where I couldn’t have imagined what it would be like back in the 1980’s. Some things have moved faster than expected, some more slowly, some have failed to emerge and some have shifted into the still unfathomable.

I just finished cleaning the house, mopping the floors, steam cleaning the rugs and sterilizing everything in anticipation of my little girl’s next visit. She still pops things off the floor into her mouth, although she’s starting to grasp the concept of germs and get the connection between them and sickness. Thanks to my lecturing, some gross cartoons she’s found and setting examples for her, of course. She’s three, so I don’t blame her for doing it whatsoever. But knowing she will do that, I take the responsible step of always cleaning my house prior to her visits, otherwise, I’m to blame for her getting sick if she drops her pacifier and pops it back in her mouth while here. I realize not every parent does this and I’m not trying to disparage others who prefer to be lazy, let their children get sick, risk others getting sick from them, and then take their children to the doctor after they get sick and send half the bill to the other parent to pay. But those types of people do exist. And they will naturally attract other unrefined slobs who, for example, see nothing wrong with blowing their noses in towels and making other people sick that way.

While cleaning I was listening to a webcast of Bob Weir’s New Year Eve’s show in Kauai’s North Shore, Hawaii at the Crazy Rooster Ranch, which I bought the HD version of online, and it sounds unbelievable on my sound system. As good as if I were there, and a front-row view as well. I bought it because I saw the set list on Twitter, which was short, but impressive. My favorites were all on there. I’m going to try and download/upload it here or somewhere.

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