How to Build an Awesome Work Bench

How to Build an Awesome Work Bench

Recently I decided that it was time to build myself a workbench in my garage. As the mechanic, groundskeeper, repairman, and scullery maid, I’m constantly digging through piles of tools and junk. Constantly. It’s a waste of life and can frustrate you on some days. I’ve built a couple of simple benches before, and I’ve built elaborate (NOT fine, although that would be awesome if I had the shop) cabinetry and furniture so it wasn’t going to be a difficult project. I designed and built the weird trash can beside the bench, for example, to keep an old hound dog I once had out of the trash. I also discovered some great tips and learned a few things along the way, as I typically do. That’s partly what makes these types of projects fun. Here’s the debriefing:

I started sketching out some ideas, given the limitations, budget(as inexpensive as possible, but not “cheap”) wants, needs, lessons learned from other benches and so on.

my workbench plans

my workbench plans

I measured out space I had available and spent a LONG time trying to decide between a 6, 7 or 8-foot long bench, and 30-36 inches deep. People think deep benches would be great until they have to reach the back of them and discover their arms aren’t tentacles. I also had the problem of hauling my lumber back, because we don’t have a pickup. Just a couple of soccer-mom SUVs that don’t even have roof racks. So I couldn’t just buy several 12-foot-long boards and a bunch of 4×8 sheets in other words. I had to be frugal with my cargo space. Also, as anyone who works with wood knows, estimating projects is an art that requires some creative mathematical logistics. The goal is to have a little scrap as possible left over. (I cringe when I drive by house construction dumpsters piled high with scrap, although contractors are much better these days with lumber being more costly than when I was little. Every kid in the neighborhood had a half-pipe in their driveway courtesy of the new neighbors.) So there were quite a few considerations.

Also, and this was important, I want to be able to disassemble it and move it fairly easily when needed, yet be as solid and heavy as possible. That was a tough one, but I did it. I didn’t want the additional height of casters and didn’t really feel like engineering around that either. Also, the butthead contractor that built this house only put ONE outlet in the garage. That’s insanity. So I also needed to work some electrical magic. The bench needs a lot of outlets. I have an old tablet and great-sounding Klipsch Bluetooth speaker going on the bench (for music mostly, but also internet advice when I get stuck on something) that need juice, plus soldering irons, chargers, glue guns, lights, USB, a little fridge, and a bunch of other power-hungry items. My power tools will be plugged into some other outlets I rigged elsewhere.

In the end, I chose a 72-inch by 30-inch bench top. Six feet. That allowed me to buy 3 sheets of 4x8x1 plywood, and all 2x4x8’s but one, which was a 2x4x10. It also left some good space around it in the garage. 8 feet would have been unnecessarily tight and large. The benefits of those 2 extra feet of length wouldn’t have been worth the extra material costs and resulting mathematics because the whole thing would need reconfiguring. If I remember, the 8 8-foot boards were about $3.50 apiece and not the poorest quality that were about $3; not the best that were about $5. Just plain studs. I had the store make the cuts for me which mostly were the same length except for the longest, which was a cut-to-fit diagonal brace which was of course only a little over six feet long. This saved me a lot of time and gave me square cuts and chops and nice clean ripped plywood that would have been tough for me to get in my garage setup, which I was obviously underway renovating. And it allowed me to fit it all in my vehicle. By the time I reached that point and unloaded it in my garage it was like assembling a kit. And here’s a big reason for that: I bought the legs and shelf supports already made.

workbench front

a better shot of the front of the workbench

I discovered these things which are awesome and were a key to the project. They make sure your bench and shelves are flat and square and that it’s already at the right height. It comes with brackets and pre-drilled holes for the wood, and makes it super-easy to build, and they’re very affordable. I built this entire thing myself with no help, except for the guy that cut the boards at Lowe’s. For the legs and shelf brackets, they were about $65 on Amazon, and money very well-spent.

workbench right

workbench right. note the position of the lightswitch

I wanted a pegboard for my tools to go vertical, plus that space would just be wasted otherwise. My tools laying around in piles and in buckets and hidden all over the place was getting to be a bit too much to keep maintaining my sanity. I shouldn’t be spending 5 minutes looking for one socket. And all my sockets and bits and screws and such were rusting away in 20-year-old plastic deli meat containers. Ridiculous. I decided on upgrading this part because these metal powder-coated enameled boards that are heavy-duty should last a lifetime, and have a lifetime warranty to back that up. I’ve come to hate thin MDF pegboard that frays and breaks and pegs have to be jammed into and is crap. These are like what you’d find in a pro shop. They had a premium price too but considering their lifespan and utility I’ll get out of them, they’re a good value. I bought a rack for my many pliers, which I also recommend as well. A really nice, well-made, helpful product that can go onto the pegboard or sit on the bench. I also got some really cool pegs for them to go with the ones that came with them, and since they’re metal, they’re magnetic, which is nice. I have some cool magnets that’ll work well on this board for clipping and hanging things. The metal pegboards are attached to the back of this bench in 2 ways. (They’re made to mount onto a wall and come with the needed hardware.) At the top, they’re screwed into the above-head shelf through pre-drilled holes, and at the bottom, they’re screwed to a 3x1x6 strip of oak I have across the front of the boards along the length at the back of the bench, which also keeps screws and little things from rolling away, and creates a nice little shelf to put little things out of the way.  I oiled it as well when I was oiling all the oak.

I screwed a strip of steel across the bottom shelf to prevent wear and tear from feet and other things sliding around on that corner and keep the splinters at bay since I have a 1 year old toddling around. The center shelf has a 90 degree angled strip of molding that was stock from another project which was already primed and I painted. It keeps things from rolling off as well and is easily removed if wanted. For the bottom 2 shelves, I used sanded 1-inch plywood. Nothing too special but much nicer than particle board. $23 a sheet if I remember which was a little more than I wanted to spend but since the essence of the bench is the bench top, and to make my life easier and not harder, ultimately it was worth it to me.

left side workbench

workbench left

For the rest of the bench, other than the bench and shelf tops, I use some really clean and nice 8-foot pine studs. I was surprised at how clean and knot-free they were compared to what I found at Home Depot not that long ago. Incidentally, I bought my lumber at Lowe’s. For no other reason than their prices were better and their lots of lumber they each had at the time were way different quality. Lowe’s had far better. Their customer service sucked incredibly though, except for the kid that cut my lumber. But that’s another post.

For the top, I used 1-inch sanded oak veneer plywood. In retrospect that wasn’t the best decision, but it’s no big deal because of how I built the bench. The top isn’t secured down by screws; it doesn’t need to be. So I can change out tops easily if and when I want. I considered using 2 or 3 separate pieces as the top but thought the seams would be too much of an annoyance and could see too many problems developing from that. I hope to eventually find a thick solid top to put on there, like an old door, but that’s going to take some doing. I didn’t want to use MDF because of the aforementioned tearing and total hatred of moisture and I just hate the stuff for most projects. It’s frailty, unnecessary weight and short lifespan aren’t worth the marginal cost savings to me. Finding a piece of solid, natural, heavy wood, at retail, would blow my budget. Oak is hard, heavy and durable and nice to look at to boot. The only and main problem is that the sawmills use micron-thin veneers, so I’ll need to be mindful of tossing a transmission up across it. I oiled the top and the small amount of finishing around the bottom above-head shelf with Danish Oil, natural. Tung oil would also work but I’m out. There’s no reason to do any more than that. It’s a workbench. But the oil will condition the wood and help protect it from the slop and spills that are about to be all over it. It’s also cheap, easy to reapply and easy to find.

There’s a diagonal board to support the top which some people seem to feel is optional. I wouldn’t recommend doing that. And considering you can get a board that’ll work for about 3 bucks, if not free if you don’t mind construction-site dumpster-diving, why wouldn’t you? And even if you don’t want to do the math of figuring the diagonal, or using an online calculator or app, you can still just measure it when needed for the proper fit. It just sits atop the leg brackets and doesn’t even need to be secured. The whole thing is nothing but 90-degree cuts and is a basic project, in fact. But the added strength this gives the top is well-worth any effort needed. The top will likely be sagging otherwise, especially if you live in high-humidity areas like the coastal deep south.

I primed and painted the bench to match the rest as best as possible with leftover primer and some red metallic enamel paint I found on sale at Target of all places for $4, which I have a ton left over that I’m excited to use elsewhere. I obviously have a black and red thing going on just by looking at this very site. Red being my favorite color and black being its natural partner. And just coincidentally, my tools and stuff go perfectly together for the most part. All these drawered containers are already changing my life.

I also installed some cabinet lights above, which are hidden behind a 6-foot oak strip I already had, and put the switch on the right shelf post. I was tempted to use velcro or something other than the screws to just slap the lights up there, but I’m glad I wasn’t lazy. Use the screws, after predrilling. You’ll be glad you did. I plan on covering the wires on the post near the switch once I come up with a good idea for doing that. I secured the wires with some clear little removable clips and the twist ties that came with them. 20 clips did the trick. I ran the wires to the front so they’d be hidden. Initially, I instinctively planned to run them to the back because that’s where the plug is and it seemed natural. But after thinking about it, that made less sense. Just a tip.

For the shelves and shelf brackets, which I had never used before, I learned a few things and didn’t follow directions anyway. I had the guy at Lowe’s cut the plywood I bought for the three main lower bench shelves widthwise first, meaning chopping it short, then ripping it lengthwise afterward. This gave me 3 boards that were exactly the same length and depth, and the exact same length of the workbench, and all perfectly square. So I sandwiched 2 of them for the bottom-top shelf above the bench and just a single 1-inch plywood scrap for the very top shelf, which only has empty containers on it so even if there was a disaster, no one would be brained by putting anvils up there.

A 2-inch thick shelf is pretty sturdy, so I’m confident about it. I’d need to buy 12 more 2x4x6s if I were to build them as intended. I don’t see the benefit in that cost, considering what I’ve got. I put the best-looking face of the oak plywood on the bottom shelf facing the bench. I didn’t oil that part-the underside of the “lower-top” shelf. In retrospect, I wish I had because the oil, again, would have not only conditioned it but also reflected the lights onto the bench well, albeit subtly. But it’s a relatively light color which is why I chose to do that, plus the top will take a beating with stuff being tossed and slip up on it, so it makes sense to use the cheaper plywood for the top of the shelving sandwich. And if anyone’s short enough to see up there, it’s nice looking natural wood.

workbench front again

workbench front

I spent a lot of time planning this out. I wanted to end up with a good bench, which I did, and not spend months on the project (I built this in a couple of hours, once planned.) Usually the least fun parts, the planning and prep are the most crucial to the end result. They paid dividends in this case for sure, which is why I’m sharing the details.

before-after of workbench

A before/after of my workbench project.

Edit: May 30 – So far I’ve added a 48-inch power strip with surge protector that’s attached with little machine screws and bolts to the base of the pegboard, facing outward, just above the strip of oak along the back. Other than that addition, cleaning up the electrical wires from various tools that I like to have at hand like a Dremel, soldering iron, battery chargers, and a glue gun; arranging the pegboard and drawers better and putting a screw on the side to hang my yardstick, I haven’t had to modify anything major so far.

The Shot Heard Round the World

The Shot Heard Round the World

This Grateful Dead show at the Beat Club in Bremen, West Germany, April 21, 1972, was the show that turned me onto the Grateful Dead around 35 years ago. Got on the bus as the hippies say. It’s not even one of their best shows, although certainly one of the most unique on video, and Donna was squawking away, but it didn’t matter. 1972 is one of their top years. And a show with Pigpen and Keith is special. Out of the many keyboardists the Dead have had, Keith Godchaux was my favorite with Bruce Hornsby second. This was one of Pigpen’s last shows.

Where and how I grew up in South Carolina, good music wasn’t exactly easy to come by. I was born a poor black child, you see. Good music anywhere was tough, but especially in a little town of 500 in S.C. To get true alternative music back then, before alternative was mainstream and was actually an alternative to pop instead of being pop, you ordered records from magazines out of New York. My mother, fortunately, saved a big box of 45s from the beach house from the 50s and early 60s, and a stack of LPs that dated back to the late 1800’s I think. Seriously. Inch-thick discs of classical that played at obscure turntable speeds. But what was played mostly on the old Victrola was a lot of Willie Nelson, Waylon Jennings, Hank Williams, Patsy Cline, Enrico Caruso, and other opera and country and western selections mostly. My father’s musical reach was the hook from Ray Stevens’ “The Streak,” and that was about it. We had a radio of course but with poor reception of crummy stations, who bothered? If you wanted to buy a record or cassette tape, you had the Record Bar at the mall, which sold mostly the same crap that was on the radio, or the seedy cinder-block building on the other part of town that sold classic rock and some good stuff, but was known more for their vast porn selection than their music. So I only went in there when my dad took me.

I had listened to Jimmy Buffett, James Taylor and the usual South Carolina fare that all my friends listened to, but I also listened to a lot of those old 45s of my mother’s. Chuck Berry and Jerry Lee Lewis were two artists whose hits I listened to a lot. All sorts of obscure hits from those decades were in that stack, and a lot of them were fun for a kid to listen to, like “Splish Splash,” etc…but I got a good feeling for the dawn of rock and roll and pre-rock. The Beatles totally saved humanity from some seriously terrible music. Paul Anka? Tiny Tim? Seriously?

And then one day, in the early 1980’s, I saw the cut of “One More Saturday Night” from this show (@30:20 in the video below). I saw it once, my jaw hit the ground, and that was it. Which made sense since VCRs were still a new technology and what you watched was whatever was on one of the 3 stations. But few things have hit me as resolutely as that did. Like Jehovah’s favorite choir. Seeing these guys play such energetic, raw rock and roll and the colorful wild hippie set and such intense and competent musicianship, and I was sold. (You have to think, this was the 1980’s and synth and bubblegum crap music was everywhere. Seeing guys actually playing instruments like that live and sounding so unique, real, musically complex(they have 7 people on stage) and completely awesome was amazing!) The modulation gets the blood pumping, too. Musically it was familiar. A big influence on Jerry Garcia’s guitar playing is obviously Chuck Berry which you can hear in One More Saturday Night and of course his cover of Johnny B. Goode and Promised Land among other songs that leak out the influence from that era like Not Fade Away. Plus Keith’s piano playing, with his runs and trills and ragtime feel was reminiscent of Jerry Lee Lewis. And no racks of stupid synthesizers everywhere like Devo-or far, far worse in the 80’s- but just Keith over on the side banging away at a piano with a bottle of Coke next to him. I still love watching and listening to it, even though musically it’s not their finest version. It’s pretty good though because of the energy. That’s easy to say though when you have a trillion shows under your belt. It’s still great and I still love it like the first time I saw/heard it in fact, if not more because I know the Dead pretty well now.

And before I get a bunch of emails telling me the Grateful Dead are terrible, I realize this is my opinion and they aren’t everyone’s cup of tea. Their time signatures are non-standard, which a lot of people don’t like, and the nontraditional arrangements are too much for some people as well. Jerry’s style involves coming in just a little late on vocals and guitar every now and then I’ve noticed, which he does on on purpose usually, which also may put some people off very subtly. Or maybe it’s just Donna, or whatever, but save your time and breath; I know it. I’ve heard it before a time or two. Thankfully, we don’t all have to appreciate each others’ music. I mean Slim Whitman was great and all…

I’ve also heard so many of their shows so many times now, I find I can pick out more and more unique information just by listening to them, like a sommelier can tell you about a bottle of wine by taking a sip. and this new sound system I have is revealing some amazing details I’ve never heard, like heaving breaths and picks hitting the strings and new percussion and subtle runs and phrases I’d never picked up on. In some cases entire instruments that you couldn’t hear in the background. It’s like hearing a lot of these shows for the first time again, which is pretty great. Especially with the frequent releases of all their best shows professionally remastered, like Cornell 5/8/77 etc… in really good audio quality.

The Dead’s sound evolved of course from a jug band quickly to rock and roll, and within that the songs and styles were dynamic. Psychedelia to country and western to old spirituals to jazz numbers to everything in between. Even a polka thrown in here and there. It’s partially why they’re the longest enduring band ever. This period in the 70’s was my favorite(minus the horrible disco-Dead with Go to Heaven-style “Street” songs. My least favorite Dead songs are Dancing in the Streets and Shakedown Street. And Looks like Rain.), with the early 80’s and late 60’s right behind. Those were different eras in several ways. The repertoire pivoting each time for one. Different instruments. Different hairstyles even. Lots of stuff. The worst being when they added the MIDI and went digital in the early 90’s. That’s also when the Dead became seriously mainstream and took on a life of its own. Weird to say when they packed a million people into their shows. But the partying and parking lot scene were out of control. It became about nothing but partying and the music was highly secondary. That’s when I stopped going to shows. It goes from novel at first, to distracting, then annoying after a while. I blame MTV, as I do with a lot of the decline of the general quality of the music scene in the US. How hot you were became more important than how good you were musically. That’s a big conversation for another time.

I recently remembered that I used to make the A/V guys at my high school play and replay the “One More Saturday Night” clip for me on Saturdays when I was stuck on campus, because only a few qualified geeks students could hit Play/Stop/Rewind on the highly-technical VCR on the cart in the A/V center. Which was basically the library attic if I also remember right. What made me think of that was how things have changed since those days. I’m watching it now, at my total leisure, on a giant high-def screen on an audiophile-grade sound system. I can’t wait to see what media consumption is like in 30+ more years. I’m sure the guys in the band couldn’t begin to imagine their humble shows would one day be broadcast like they are. Bobby, with the ponytail, turns 70 this year. And he’s the youngest by quite a few years, since he ran off with the band when he was 16. In the decades following this performance, both keyboardists and the guitarist would be dead, the bassist will have a liver transplant and they’ll add another drummer. And make a ton of great music playing a few thousand shows in between, all available at our fingertips.


Spanish lady comes to me, she lays on me this rose…

Spring Cleaning in the Autumn of our Lives

Spring Cleaning in the Autumn of our Lives

My wife and kids are away for Spring Break, as they tend to do each year. My wife’s a teacher, and my youngest is 1-1/2, so their schedules are flexible. They go to Alabama to see family while I stay behind and take care of the aging dog, get some sleep, listen to the Grateful Dead very loudly, and usually clean the house really, really well. This year is no exception, and maybe one for the records for projects. I’ve already replaced the air/fuel sensors in the old Toyota and they’ve been gone less than a day.

Our garage was out of control with “things” and what has been passing as my “workshop” has been a bunch of old bent, rusty metal storage shelves.  Considering the setup I once had that was an enviable, organized and roomy workstation, it becomes frustrating to have to look for a socket or a certain pair of pliers or set of screws/nuts/washers for 15 minutes, sorting through “organized piles” and a bunch of plastic sandwich meat containers. It has become a waste of time/life, annoying, not good for my tools, which I have a lot of and some nice ones I try to maintain, is an eyesore, and so on. So I spent tonight cleaning up the garage in preparation for a serious reorganization.

Along the way, I had to decide what to do with a lot of junk that I realized I’ve been lugging around for nearly 30 years in some cases, and even longer in others. Things I’ve kept for sentimental reasons; because I thought I could make or repair or do something with the item later, and never have; used to use the thing and stopped, but never disposed of it (like a lawnmower and dryer that really need to go); but things that I acquired somehow, and almost subconsciously have been carrying them around with me, very carefully, for many, many years. Decades.

For most people that wouldn’t be much of a big deal. But during the time I’ve accumulated this crap, I’ve lived, and moved among, 7 states. That’s a lot of back and forth and boxes and tape and sore backs. I’ve probably now lived in 20 different houses and crummy apartments. I know I once lived in 11 places in a 10-year span, which was a true nightmare. That’s a lot of packing, unpacking, carefully choosing where to put this stuff in my new place, and then doing it all over again without ever stopping to think of why I’m hauling all this stuff around. Also during that time I’ve had things that mean a lot to me broken, stolen, or just abruptly removed from my life somehow. Every time I’ve moved, something valuable has been broken no matter how careful everyone is. And we used to have 2 cats, now down to one because the male was so terrible, which destroyed a loooong list of my once-nice things. So I’ve had to say goodbye to a lot of meaningful things in my life, so maybe it’s natural as we get older to not mind parting with material possessions as much. Just a theory.

Upcoming project next week: build an appropriate work bench and reorganize the garage to be useful, clean and navigable. I’m using these as a foundation. The reviews were flattering to say the least. And it is a great idea. Just add 2x4s and benchtops/shelves. I’ll be going for the deluxe model, however. It’s going to be pimp-tight as they say, and I’ll post photos upon completion. Here’s a taste of what I’m starting with. It doesn’t look nearly as bad as it really is, but as you can see it’s just piles of rusty tools:

tools and shelves and rust and unorganization

I’ve spent 2 days de-rustifying my tools, which were ruined during a stint of mine in Montgomery Alabama, when I had to use a front porch to store my things underneath. Basically just sitting outside in the dirt and elements. I had nowhere else to put them because of the size and layout of the house and no garage or shed. So at least 50% of my things I’ve collected over the years were ruined; wood, metal, power tools, drill bits, machinery, etc… I’m salvaging the rest using soap and water to clean them all and break the surface tension, then a chemical bath, which I’ve gotten in all my cuts on my hands. Who needs gloves when handling acid? But that should help to not have to replace every single thing at least. Tip: Dust and dirt attract moisture, so keeping tools and wood dust-free in your shop is important. Putting silica packs in your toolboxes will help, or using an old-school wooden toolbox to keep them dry. Not only are quality tools expensive, but they’re a pain to obtain a lot of the time, so save yourself some time and money and maintain them.

Vectr WordPress Vector Editor Plugin

Vectr WordPress Vector Editor Plugin

This is a WordPress plugin for editing and creating vectors right within the WordPress post page I’m trying out and it seems pretty powerful, if it works as imagined. And so far it’s delivering. It’s a vector editor that I can pull up right in my posts/pages. They have a desktop app available for OS/PC/Linux, as well as a browser-based editor, and this plugin, and by looking at their roadmap seem to really be on the ball. The editor seems to have most everything you need. It’s no-frills for sure, but I’m comparing it to Adobe Illustrator, which I consider the standard for vector illustration and graphics. I haven’t checked out the SVG capabilities yet, but for a free vector editor it’s fast and full featured. And easy to use.

Some limitations I’ve hit: no way to align objects on the page easily, and no way to edit gradients. If I want to make a linear gradient that’s -96 degrees, I have to come up with a tricky solution.  I have a feeling these are basic features that the people at Vectr are working on though. I’m sure they know what people use. Also a bug I’ve found is it sometimes posts the extra images WordPress generates when you upload an image. By default, when you upload a photo, you immediately get weighed down with 3 other copies, so it’s a great idea to optimize your images as much as possible.

EDIT: I was contacted by the astute folks at Vectr who set me straight on gradients and a few other things(I’ll elaborate as time allows, which isn’t right now). Here’s a video explaining how to work with gradients in Vectr:

Incidentally, that is John Paul Jones in the featured photo. He hasn’t slowed down one bit since those days and can play any instrument in the galaxy.

 

How to Get Amazon Prime for Free, Plus Other Cool Stuff

How to Get Amazon Prime for Free, Plus Other Cool Stuff

How to get Amazon Prime for Free

All you need is patience, to spend at least $580 a year on Amazon.com, and decent credit. And before you click away after seeing me mention the word “credit,” bear with me. This is how to put a card to work for you properly.

This is simply an explanation of how I just managed to get it for free. You'll have to make some personal decisions, but to me this is a no-brainer. Free! (Well, about 10 minutes of your time)   

I’m already a member of Amazon Prime, which we get our money's worth out of in many ways: cloud storage, videos, music, discounts, 2 day shipping and all the rest. It's a great deal if you're a consumer. You can even have a free trial if you aren't sure it's for you.

It costs $99 a year. Order a few large items and you recoup that easily in shipping costs. But it offers many more benefits as well. Obviously I don't need to sell you on Amazon Prime, since you're here trying to get it.

Also, when you get the Amazon card, you get $70 credit in your account, which knocks that cost down to $29 already. I'm not here to sell you on getting a credit card either, per se. I hate credit cards, normally. It's just a step in a pretty smart plan. If you have credit issues, maybe this might not be the best idea. You'll have to decide. This is what I did.

Apply for the Amazon card, which along with the aforementioned $70 credit, you get 5% off Amazon purchases. That can add up, fast. And 3% at gas stations, restaurants, and some other places you probably visit. And 1% on everything else. And it offers some great travel perks, unlike most cards that give you skymiles that expire in 3 months. Check out the list of benefits; they're pretty good, and useful.

That card, after approved, becomes the default payment method for your Amazon Prime account automatically. Perfect. Then I set up for my balance to be automatically paid in full each billing cycle through my bank's website. Easy enough. 

So even though I'm technically using the card, it's just like using my checking account, with the money passing through the Amazon account briefly. I don't intend to carry a balance because the interest rate is WAY too high. I would advise you to avoid that as well. Note: You can call Chase, who manages the Amazon card, and negotiate a better rate, especially after using it for about a year or so, to build up a history of “paid in fulls” with them. That’s a good practice anyway with credit cards. You should be able to negotiate a much better rate if you pay your bills. If you like to carry balances, again, this is probably not the card for that, and it blows the whole plan I'm outlining here. The idea is to get Amazon Prime for free plus all the benefits of the Amazon card automatically and free. And build up some credit while you're at it. 

With the 5% you get back on your purchases, you only need to spend $580 in one year to make up that remaining $29. Or 3% on gas, food, etc… Should be pretty easy. That isn't going to be any problem for our household. Free Amazon Prime FTW, baby!

free money

Free $

 

Book

Book

Back when Bootstrap was Twitter Bootstrap and it had been downloaded a grand total of about 5,000 times, I wrote and published a book on how to develop using the Twitter Bootstrap framework. I sold a few copies and learned about using Bootstrap pretty well. Well enough to write around a 200-page book on it, at least.
 
Time went on and Twitter Bootstrap became Bootstrap and Mark Otto left Twitter, and took his framework with him and rebranded. I think he works at Github these days, but he and his partner still update and work on it a lot.
 
After a while, my book became slightly outdated, and keeping a sizeable technical book up to date wasn’t a priority. So I posted it on my old website, michaelmusgrove.com, for free. Which a popular move on my part. Then like a dummy, I took the whole site down.
Long, boring story short: I’m re-posting the Bootstrap Book here. I’m going to go back through and try to clean up what’s outdated and it should be a pretty good resource for people that are beginners through intermediate. It has a TON of great Bootstrap resources too, for the advanced crowd.
People send me things to include all the time, which I think is awesome and welcome it. If you’d like to contribute, just send me a message.
Here it is in .pdf form, unedited since final draft:
I’ll be updating & uploading as quickly as possible beyond this.
The Story of The Hurricane

The Story of The Hurricane

Bob Dylan fan or not, you have to be impressed with anyone that can perform this entire song. It’s long.

Interestingly, it was written by a team of people (Written by Falana Brown, Tarik L Collins, Lonnie Rashid Lynn, Mercedes Martinez, Tracey M Moore, Denard Smith, Scott Storch, Scott Spencer Storch) and not Bob Dylan. In any case, it’s a cool song and story and worth saving here for easy access.

I don’t expect this video to be posted very long. It gets taken down all the time for copyright reasons. But in the meantime… It’s my favorite version because of the accompanists. Bob Dylan is around three feet tall, which you can kind of pick up here as well.

Pistol shots ring out in the barroom night

Pistol shots ring out in the barroom night
Enter Patty Valentine from the upper hall
She sees a bartender in a pool of blood
Cries out my God, they killed them all
Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he could-a been
The champion of the world

Three bodies lyin’ there does Patty see
And another man named Bello, movin’ around mysteriously
I didn’t do it, he says, and he throws up his hands
I was only robbin’ the register, I hope you understand
I saw them leavin’, he says, and he stops
One of us had better call up the cops
And so Patty calls the cops
And they arrive on the scene with their red lights flashin’
In the hot New Jersey night

Meanwhile, far away in another part of town
Rubin Carter and a couple of friends are drivin’ around
Number one contender for the middleweight crown
Had no idea what kinda shit was about to go down
When a cop pulled him over to the side of the road
Just like the time before and the time before that
In Paterson that’s just the way things go
If you’re black you might as well not show up on the street
‘Less you want to draw the heat

Alfred Bello had a partner and he had a rap for the cops
Him and Arthur Dexter Bradley were just out prowlin’ around
He said, I saw two men runnin’ out, they looked like middleweights
They jumped into a white car with out-of-state plates
And Miss Patty Valentine just nodded her head
Cop said, wait a minute, boys, this one’s not dead
So they took him to the infirmary
And though this man could hardly see
They told him that he could identify the guilty men

Four in the mornin’ and they haul Rubin in
They took him to the hospital and they brought him upstairs
The wounded man looks up through his one dyin’ eye
Says, wha’d you bring him in here for? He ain’t the guy!
Here’s the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he could-a been
The champion of the world

Four months later, the ghettos are in flame
Rubin’s in South America, fightin’ for his name
While Arthur Dexter Bradley’s still in the robbery game
And the cops are puttin’ the screws to him, lookin’ for somebody to blame
Remember that murder that happened in a bar
Remember you said you saw the getaway car
You think you’d like to play ball with the law
Think it might-a been that fighter that you saw runnin’ that night
Don’t forget that you are white

Arthur Dexter Bradley said I’m really not sure
The cops said a poor boy like you could use a break
We got you for the motel job and we’re talkin’ to your friend Bello
You don’t wanta have to go back to jail, be a nice fellow
You’ll be doin’ society a favor
That sonofabitch is brave and gettin’ braver
We want to put his ass in stir
We want to pin this triple murder on him
He ain’t no Gentleman Jim

Rubin could take a man out with just one punch
But he never did like to talk about it all that much
It’s my work, he’d say, and I do it for pay
And when it’s over I’d just as soon go on my way
Up to some paradise
Where the trout streams flow and the air is nice
And ride a horse along a trail
But then they took him to the jailhouse
Where they try to turn a man into a mouse

All of Rubin’s cards were marked in advance
The trial was a pig-circus, he never had a chance
The judge made Rubin’s witnesses drunkards from the slums
To the white folks who watched he was a revolutionary bum
And to the black folks he was just a crazy nigger
No one doubted that he pulled the trigger
And though they could not produce the gun
The D.A. said he was the one who did the deed
And the all-white jury agreed

Rubin Carter was falsely tried
The crime was murder one, guess who testified
Bello and Bradley and they both baldly lied
And the newspapers, they all went along for the ride
How can the life of such a man
Be in the palm of some fool’s hand
To see him obviously framed
Couldn’t help but make me feel ashamed to live in a land
Where justice is a game

Now all the criminals in their coats and their ties
Are free to drink martinis and watch the sun rise
While Rubin sits like Buddha in a ten-foot cell
An innocent man in a living hell
That’s the story of the Hurricane
But it won’t be over till they clear his name
And give him back the time he’s done
Put in a prison cell, but one time he could-a been
The champion of the world